For the past year, I’ve been working on my debut album, I Want a Refund, with the incredible assistance of my producers, The Doubleclicks. It is so good, y’all. So good. I can’t wait for you to hear it!
But I’m going to have to wait a bit, because I still need to get it mastered, and that’s going to cost money because we live in a capitalist system, so the upshot is that I’ve just launched a Kickstarter to finish it properly.
You can get a bunch of rewards for backing it, including digital downloads, CDs, buttons, and even some limited special offers. Please check it out at http://bit.ly/refund-ks. And thank you!
The Doubleclicks are putting on a show for Pride, featuring a slew of queer creators, including Rebecca Sugar—creator and showrunner of Steven Universe—and a slew of other performers, including me!
100% of ticket sales go to benefit Trans Families and the National Center for Transgender Equality! Ticket sales are effectively on a sliding scale: you can get more perks if you donate more, but if you’re a member of the LGBTQIA+ community, we want you there even if you can’t pay.
The show will be airing at 5 PM EDT / 2 PM PDT on Saturday, June 12; if you can’t make it then, you’ll be able to watch the rerun at any time in the following week. Get your ticket and/or merch here!
2020 has not been your typical year. (For one thing, it’s felt more like a decade.) Pandemic cases are on the rise, social distancing remains the order of the day, your uncle can’t figure out how to use his microphone in the family Zoom chat…will your typical Christmas music cut it in these trying times?
I think not. Your typical Christmas song is about people everywhere gathering together to sing about peace and harmony before going back to loathing each other on Boxing Day. “Gathering together to sing” is like the #1 thing we can’t do this year. This demands new songs. Perhaps an EP of new songs, songs that are all about the present moment.
This is my first EP, and I’m very excited about it. (I have a Bandcamp page, y’all! And album art!) And it’s pay-what-you-like, which can include “free.” I hope you enjoy it!
One final note: this was recorded and mixed in less than a week. If you think this is pretty good, wait’ll you hear the album we’ve been putting way more time and effort into. But that’s something for 2021…
I haven’t been keeping this website updated very well, partly because my day job is particularly busy right now, but mostly because I haven’t really figured out what to do with this website. At this point, its primary purpose is to link to my YouTube channel, Twitter account, Facebook page, and Patreon page.
But my favorite band covering a song I wrote—particularly a song that I think is Good and Useful, a song I devoutly hoped other people would cover—definitely ranks a post here. I am so thrilled! It racked up more than 2,000 views in its first five days, and it’s gotten lots of positive comments from around the world.
(If you’d like to cover it yourself, please do! Here are the lyrics and chords. Feel free to change all the names and use different pronoun sets, if you’d like.)
A new song to go with the name of my act! Like “Friday” before it, this uses the ’50s chord progression, AKA the Ice Cream Changes, AKA the Heart and Soul chords, among other names.
(In this case, it also uses the same key and strumming pattern as DeAnne Smith’s “Nerdy Love Song.” This wasn’t deliberate, but if you haven’t heard Smith’s song, I commend it to your attention. As a bonus, it features an adorable kitten!)